This fantastic blog post provides insight into a journey of great interest to writers of middle grade and young adult fiction–the path to individuation, and even better, that path as it relates to women and girls.
The post refers to many classic and recent books for writers for further investigation. I’m bookmarking this one, and you might like to as well. Click on the link below to check it out.
Interested in writing for children? Don’t miss this great post on literary agent Jill Corcoran’s blog. While you’re there, check out other useful information for writers. I have heard her speak at conferences. Writers who have her as an agent are very lucky. She is warm, honest, and experienced.
The most important character in your story is the villain. If you find that your story is lacking something, you probably don’t have to look any further than the opposition. If your hero doesn’t have much to overcome, he can’t be much of a hero. The greater the evil he faces, the greater your protagonist will be. Even in stories of man against nature, it can’t just be any storm, it has to be the Perfect Storm. See what I mean? Click below for some great ways to make your opposition more effective–and more original.
Find out about the third person objective. It’s probably not a good choice if you are not writing a screenplay, but if you are curious about it, here’s a good introduction with suggestions for making it work.
Here’s another in a terrific series of posts summarizing basic plots on The Write Practice blog. For a quick review of the bottom line of storytelling, take an hour or so and review the basic plots covered on the site. It may save you years of learning the hard way.
[…] “Quiet Trips” […]